Forget what you know about stiff residencies. Un Échange: Trading Places: Trueque is an electrified, cross-border musical adventure that has been shaking up the scenes of Montreal and Vancouver since 2016. Imagine the most badass improv and experimental music communities from Montréal, Vancouver, and since 2026, the sonic wonderland of Mexico City deciding to pack their bags, swap cities, and make some beautiful noise together.
The minds behind the magic, the NOW Society, Suoni Per Il Popolo, and a crew of visionary curators in CDMX, are teaming up to create the ultimate playground for adventurous musicians.
It's all about forming deep, new connections, trading ideas through sound, and proving that the language of experimental music is the most fun and present dialect you’ll ever learn. Un Échange: Trading Places: Trueque is where communities collide and the future of sonic exchange gets made.
2027 RESIDENT ARTISTS
From Mexico City:
Carlos Allegre violin, composer
Renegade violinist, secret composer and Mexican improviser, Carlos Allegre has been active for over 25 years in the free improvisation scene in Mexico city. Incongruent with his European classical repertoire interpretation training, he is interested in the paths of popular music, sound experimentation and improvisation. His compositions are characterized by wandering structured forms that make way for spontaneity and extended techniques.
Reona Sugimoto drums
Reona Sugimoto is a Japanese-born drummer and percussionist based in Mexico, known for her dynamic work across jazz, rock, funk, and experimental music. Born in Morioka, Japan in 1995, she began playing classical percussion at age nine and the drum kit at ten, later moving to Mexico in 2014 to further her musical studies and career.
From Montréal:
Anne-F Jacques sound artist, instrument maker, improvisor
Artistic Approach: My practice—as both an artist and a scrap-metal worker—centers on the myriad possible encounters and interactions between materials. While sound is always a component of this practice—whether in my performances, installations, or publications—I view this dimension more as a perspective, a way of engaging with certain phenomena alongside other fleeting bodily perceptions: furtive or erratic movements, a flash of light caught in the periphery, the faint scent of a circuit heating up. My work seeks to devise systems for observing the active presence of forces at play around us: electricity, erosion, temperature fluctuations, air currents. I aim to make these forces tangible through improvised, capricious, and often slightly absurd systems; these are organized more like living organisms than machines, forming communities of autonomous cells free from central control. Fatigue, wear, and accidents are not concealed—rejecting the corporate fantasy of seamless, eternal operation—while the assemblages I surround myself with bear the traces of the objects' past lives, hinting at the potential of their future existences. My work reveals a particular fondness for precarious balances, rough textures, intermittency, and periods of dormancy.
Naomi McCarrol-Butler saxophone, clarinet, instrument maker
Naomi McCarroll-Butler is a saxophonist, clarinettist, and instrument maker from Toronto and based in Montréal. Her music falls in the cracks of improvised music/free jazz, ‘new music’, drone music, and experimental pop and folk. Naomi’s work has always centred music as a spiritual expression; as a child she sang hymns and played folk guitar with her father before being drawn in by the ecstatic sound of the saxophone. She is interested the elegance of the overtone series, breathwork in the unique somatic journey of trans and gender-non-conforming people, and the creation of trance environments through drone, repetition, and fluid tuning systems.
From Vancouver:
Jen Yakamovich drums, composer, sound artist
Jen Yakamovich is a Vancouver-based drummer, writer, educator, and improviser. Her work focuses on the relationship between sound, social ecologies, and embodiment. Raised in Halifax NS, she received her Master's in Environmental Studies from Dalhousie University in 2019. In 2022, Jen released her first solo EP, Heaven's Mini Mart, under the moniker Troll Dolly. She is currently the drummer for Wallgrin, Niloo, and the Sam Wilson Wintertides Trio.
Johanna Hauser clarinet, bass clarinet
Johanna Hauser (Bass Clarinet) received her bachelor’s degree from Vassar College (honours), her master’s degree in performance from the Manhattan School of Music (Andrew Goodman Prize for excellence in clarinet), and a stipend for further studies at Yale at Norfolk. Johanna began her career in New York City performing with groups such as Dance Theater of Harlem, Bel Canto Opera, the Brooklyn Philharmonia Chamber Orchestra, The Group for Contemporary Music, The Queens Symphony and The Queens Symphony Woodwind Quintet. Johanna teaches at Place des Arts, and directs and performs with the Kits Classics & Worlds Beyond chamber music series at St. James Hall. She is a member of the Vancouver Inter-cultural Orchestra and has premiered pieces by many local composers. Johanna can be heard on the soundtrack of Trawna tuh Belvul (National Film Board of Canada) and on the CDs, L’ivresse de la vitesse (Diffusion/ Media) and The Last Arrow (Dream on Productions). She also plays solo music for group meditations and private functions.
HISTORY
Trading Places: Trueque: Un Échange is a vibrant multi-city residency program active since 2016 in Montréal and Vancouver and, starting in 2026, Mexico City, Montréal and Vancouver. This program brings together these foremost centers of improvised and experimental music, the NOW Society, Suoni Per Il Popolo, and CDMX Coordinators curating in collaboration, providing support for artistic practice and cultural exchange. Each year the resident artists are chosen to represent their communities in these residencies. The artists premiere new works, attend musical gatherings, perform in concerts, facilitate workshops, take part in improvised marathons and make recordings, forming new connections with local artists.
Trading Places: Un Échange: Truque es un dinámico programa de residencias multiciudad, activo desde 2016 en Montreal y Vancouver, y, a partir de 2026, en Ciudad de México, Montreal y Vancouver. Este programa reúne a estos importantes centros de música improvisada y experimental, la Sociedad NOW, Suoni Per Il Popolo y coordinadores de la CDMX, quienes colaboran en la curaduría y brindan apoyo a la práctica artística y al intercambio cultural. Cada año, los artistas residentes son seleccionados para representar a sus comunidades en estas residencias. Los artistas estrenan nuevas obras, asisten a encuentros musicales, actúan en conciertos, imparten talleres, participan en maratones improvisados y graban, creando así nuevas conexiones con artistas locales.
Trading Places : Trueque : Un Échange est un programme de résidence dynamique qui se déroule dans plusieurs villes depuis 2016 à Montréal et Vancouver et, à partir de 2026, à Mexico, Montréal et Vancouver. Ce programme réunit ces centres majeurs de musique improvisée et expérimentale, la NOW Society, Suoni Per Il Popolo et les coordinateurs de la CDMX qui collaborent à la programmation, offrant ainsi un soutien à la pratique artistique et aux échanges culturels. Chaque année, des artistes en résidence sont sélectionnés pour représenter leurs communautés. Ils y présentent leurs nouvelles œuvres, participent à des rencontres musicales, se produisent en concert, animent des ateliers, prennent part à des marathons d'improvisation et réalisent des enregistrements, tissant ainsi des liens avec des artistes locaux.